ACCESS Virus Rack XL
Digital Synthesizer Access
VirusRackXL
SPECS
Digital Synthesizer
ACCESS Virus Rack XL built in 2002
32 Voices / Stimmen
16x Multitimbral
Memory / Speicher large
Value / Gebrauchtwert in 2011 was about 299 € (rare)
OSC Synthesis can do fm pwm digital ring sync
subtractive - and of course its nature is digital
uses hybrid technology: no
Wave Shapes tri saw pulse sine digital
3 OSCs + 1 SubOSCs
2 Filter lpf hpf bpf notch "moog" self reso 1-4 Pole
3 LFOs tri sine square saw digital s+h s+g
2 Envelope Generators 2x ADSTR
MIDI, Control & Triggering and playing via MIDI CONTROLLER
0 Keys
responds to Pressure/Velocity? velocity aftertouch
Arpeggiator yes
Sequencer no
Synth ID is 760
- WHAT THESE THINGS MEAN / GENERELLE INFO ZU DEN DATEN
ACCESS Virus Rack XL built in 2002
32 Voices / Stimmen
16x Multitimbral
Memory / Speicher large
Value / Gebrauchtwert in 2011 was about 299 € (rare)
OSC Synthesis can do fm pwm digital ring sync
subtractive - and of course its nature is digital
uses hybrid technology: no
Wave Shapes tri saw pulse sine digital
3 OSCs + 1 SubOSCs
2 Filter lpf hpf bpf notch "moog" self reso 1-4 Pole
3 LFOs tri sine square saw digital s+h s+g
2 Envelope Generators 2x ADSTR
MIDI, Control & Triggering and playing via MIDI CONTROLLER
0 Keys
responds to Pressure/Velocity? velocity aftertouch
Arpeggiator yes
Sequencer no
Synth ID is 760
- WHAT THESE THINGS MEAN / GENERELLE INFO ZU DEN DATEN
ABOUT exactly as Virus C but racked.
ABOUT Absolut identisch mit dem Virus C, aber als Rackversion.
ABOUT
DETAILS 2 independent multimode filters: lowpass, hipass, bandpass, band reject, parallel, split & 2 serial modes with up to 36db/oct (6 poles) the virus had 64 digital waves for OSCs and LFO (!!), so very complex modulations possible, LFOs rang into audio but big ranges cause some "inharmonic" mod depth., filter with misc saturation modes, modmatrix contains all parameters exept OSCs (as source). Effect for all multis. 16 (1 Per Part): Distortion, Rectifier, Wave Shaper, Bit/Sample Rate Reducer, Lowpass, Highpass Hardware: Access Virus A --- Motorola 56303 Access Virus B --- Motorola 56311 virus c - unknown motorola (1x DSP)
DETAILS der erste Virus hatte bereits 64 digitale Wellenformen für Oszillatoren und LFOs (!), das macht komplexe Modulationen interessant. Die beiden filter können unterschiedlich verschaltet werden und haben div. Sättigungsmodi, Die ModMatrix enthält alle Parameter ausser OSCs natürlich. Effekte für alle Multisounds.16 (1 pro Part): Distortion, Rectifier, Wave Shaper, Bit/Sample Rate Reducer, Lowpass, Highpass Hardware: Access Virus A --- Motorola 56303 Access Virus B --- Motorola 56311 virus c - unknown motorola (1x DSP)
DETAILS
SOUND good allrounder..
SOUND guter allrounder
SOUND
VERSION rack XL like the Virus C series etc.. div. Software updates,
Indigo 2: 3 Octaves, Keyboard with 5 Octaves and Desktop (no keys)
Indigo 2: 3 Octaves, Keyboard with 5 Octaves and Desktop (no keys)
VERSION RACK des der Virus C Serie / Indigo 2 etc.. div. Software updates -
Indigo 2: 3 Oktaven, Keyboard: 5 Oktaven, Desktop: keine Tasten.
VERSION
Indigo 2: 3 Oktaven, Keyboard: 5 Oktaven, Desktop: keine Tasten.
ACCESS or Kemper Digital GmbH
Christof Kemper and Guido Kirsch started with 2 SysEx controllers for the Matrix and Microwave 1 synthesizers but soon made the second virtual synthesizer virus, which became a long line of successors and improved more and more. as access they never had others products, in fact they did some under other brands
Official Intl. Site : http://www.access-music.de DER HERSTELLER
THE MANUFACTURER
Der erste Virus, muss ich da noch viel sagen? Guido Kirsch und Christoph Kemper hatten zuvor die Access Programmer für Matrix 1000 und Microwave gebaut. Der Virus setzte neue Maßstäbe bei Klang eines digitalen Synthesizers, auch hatte er 6 Einzelausgänge und einen Envelope Follower für Audio-Signale. Bis heute gibt es eine lange Produktlinie des sehr gut gepflegten Virus. Weitermachen!
ACCESS..